In 1945, Norway was finally coming to the end of World War II. But for a young baby born of a German soldier and a young Norwegian woman, the battle was just beginning. Abandoned at birth and placed in an orphanage in Oslo, Marta life changed irrevocably when she was adopted by an American couple in 1948 and moved to Detroit.

Living in a family which encouraged the Arts, Marta became involved in acting as she grew up and made many plays during her early teenage years. However the big break came when Writer/Director/Producer James B. Harris saw her in a restaurant and asked her to audition for the lead role in Lolita. While parental guidance dissuaded her from becoming involved in the then infamous film, this chance of a lifetime did give Marta the confidence and opportunities to realise her talents in roles in the Loretta Young Show and Alfred Hitchcock Presents.  

For Marta’s adoring public her role as Judy Robinson in Lost in Space (LIS) remains her trademark role. This stunning beauty was involved in almost all the 83 episodes of this hit series, which is still one of the most watched shows on mainstream TV and cable. Marta’s signed photos from this series are highly sought after and the theme of our interview below.

Although Marta has been involved in many television and film projects throughout the last three decades, "her marriage with her attorney husband Kevin, her daughter Lora, and granddaughter Lena have been of greatest importance to her." It wasn’t until nearly 1970 that Marta had the chance to meet her sisters, and only as recently as 1997 that Marta discovered her long lost brother living right here in Australia. This reunion with her brother Seppo was one of the great highlights of her life. The beautiful baby once lost in Norway became the stunning blonde once lost in space, but who is now the lovely lady always found happy at home with her family in California.


David: Hello, Marta. Let me say what a pleasure it is to chat with the most beautiful woman ever to be lost in space. However, before you landed the role in this classic cult series you were actually up for the lead role as Lolita. What are your feelings now (and back then) about your mother advised you against taking this role? Do you think your career would have been different if you had taken the Sue Lyon role? Strangely enough, Miss Lyon struggled for good roles after making her debut in what was then a highly controversial film? 

Marta: Hello, David.  It is certainly a pleasure for me to chat with you and thank you for your gracious compliment.  First let me say, I think the film "Lolita" is an absolutely brilliant film.  But, because it is a very black comedy about obsession, paedophilia, deceit and anguished lust, my parents regarded it as inappropriate for me.  It is not too hard to understand why they made that decision!  It is almost impossible to speculate about what path my life would have taken if I had played Lolita.  It must have been difficult for Sue Lyon, who was terrific in the role, to break away from being identified with the role of Lolita.  Perhaps that would have been my future as well.  As matters turned out, my career took off after that in a number of very exciting directions, including eventually LIS.     

David: Do you remember the circumstances of your first ever autograph? Was this after one of your many television appearances before LIS or during that series?

Marta: I don't remember the first autograph I ever signed, but I do remember my first encounter with fans. I was in New York City for a CBS television network convention.  When I walked out of the elevator into the main lobby, there were LIS fans who recognized me and asked for autographs.  Of course I was surprised and pleased, until they started following me.  Now, I had wanted to be just another tourist visiting the sites of the city, but that was impossible with this group surrounding me!  I walked a little ways with them and pretty soon a few more people joined us.  After a few blocks we had quite a crowd!  I have a feeling most of the people didn't know (or care) who I was, but their curiosity had gotten the best of them so they followed us.  By then, a very nice young man, whom I had first met in the hotel lobby, sized-up the situation and hailed a cab for me.  Off I went to the Empire State Building--alone.          

David: During the four seasons that you made LIS, did you undertake many signings for the producers, and if so did you do a lot of these with other the cast members?
Marta:  I certainly would have been happy to do signings with the cast members during the time we were filming the show, but we never had the opportunity.  In fact, it has only been about the past ten years since I have been appearing with my fellow cast members at these conventions.

David: Could you tell our readers how you think things have changed with autograph hunters since the 1960s. Do you find people’s expectations have changed a lot? Thinking about this, what do you remember as being your toughest ever signing? To balance this what were your happiest and funniest experiences with autograph collectors?

Marta:  I think the market for celebrity autographs has grown enormously since the sixties.  When I was filming LIS, the studio received all my fan mail and I rarely saw any of it.  They did, however, forward letters from servicemen and women, many of whom were serving in Vietnam.  Because of these letters, I started visiting the veteran's hospitals wherever I could.  I'll never forget those times.  I always came away with the feeling that I got more than I gave.

One of the funniest experiences I had regarding autograph signing was in the State of Virginia.  I had always wanted to see that part of the country and when Mark Goddard called and asked if I would do a show with him in Fredericksburg I immediately accepted.  I also scheduled another signing in Harrisburg, Pennsylvania, thinking it was close and I could hire a car to take me there.  During the show in Harrisburg, I met two really witty and nice guys, Dave and "Kato," who were friends with some of the organizers of the show.  When I told them I had to pack up and find a taxi to take me to Fredericksburg, they kindly offered to take me.  It turned out that, just as I had suspected, Dave and Kato were real gentlemen and their character was beyond reproach.  Their sense of direction, however, was horrendous!  What should have been perhaps a two or three hour drive turned out to be five.  We did, however, see incredible horse country, rolling hills, quaint towns and historical monuments. We laughed and talked all the way to Fredericksburg.  It was quite a tour!  We finally did arrive and I have kept in touch with David Goudsward ever since.  In fact, being the computer wiz that he is, when he offered to create a web-site for me, being the computer idiot that I am, I readily accepted.  So, this adventure brought me a friend and a web-master!

David: Can also you recall any hilarious onset happenings that your fans would enjoy hearing about? Which member of the LIS cast and crew was the most fun to work with as far as pranks and telling jokes is concerned? Do you see the other cast members frequently these days or does it just tend to be at conventions?

Marta:  There were times on the set when we had been working for hours and were simply punch drunk.  It was usually on a Friday night and we would be filming the last shots of that week's episode.  I remember one show in particular.  It was about miniature duplicates of our robot and I had to say something like, "Oh, look! Little mechanical men!"  Every time I looked at a cast member, all they had to do was smile just a wee bit, or cock their eyebrow, and I would start to giggle.  I simply could not get this line out without cracking up.  I tried not to look at anyone, but then I would hear someone begin to laugh, and I would just fall apart.  It wasn't until Irwin Allen came on the set and gave us all a stern talking to that we all finally got down to business and completed the shot.                

I loved working with Mark Goddard.  He was, and still is, I may add, one of the most irreverent people I know.  He would make me laugh until I cried.  Of course, Jonathan had the best jokes anywhere on this planet.  The crew just loved him and he just loved the crew. He had a nickname for every member of the crew and he would give everyone a "Tootsie-roll" lollipop at the end of each week's filming.

We try to get together as often as possible, but with our busy schedules, it is difficult.  Our friend Kevin Burns will get us all together at Fox Studio for a luncheon a couple of times a year and one of us will have the gang over for a party or dinner occasionally, but we never see each other as often as we would like.    

David: Given that you sign literally thousands of photos, do you collect autographs yourself? If you could ask one person from the past and another from the present to sign their photo for you, who would you ask and what would you have them write for you on their picture?

Marta:  I do not collect autographs, although I would if I had the time and the money.  It is almost impossible to narrow my choice to just one autograph from the past.  I mean, look who is out there! Moses, Gautama Buddha, Mohammed, Gandhi, William Shakespeare, Marie Curie, Martin Luther King Jr., Eleanor Roosevelt----the list is endless.  But, I suppose Jesus Christ would be my first choice, not just because I am of the Christian faith but because he wasn't afraid to speak his mind and change the rules about loving one another and forgiving one another.  I would have Jesus sign his photo to me, "Be the light.  Your friend, Jesus."  Jimmy Carter would be my choice for the present day autograph.  Not only is he a man of peace and reason, but he has used his presidency to aid the poor and helpless in our country and worldwide.  I would simply have him sign his photo to me, "Your friend, Jimmy Carter."   

David: Have you ever co-signed a photo with any actors in shows outside LIS? If so do you remember which actors they might have been?

Marta:  I do not remember co-signing a photo with anyone other than the cast of LIS. 

 David: Finally, Miss Marta, are there any other stories, or personal thoughts that you would care to share with our readers about your experiences, not only with autograph collectors, but in the movie business in general?

Marta: The movie business, like everything else, has its upside and its downside.  There is nothing like getting up at the crack of dawn, driving to the studio or location and upon arriving, seeing all the people and machinery that it takes to make movie magic.  Then my heart will start racing, knowing that in a short while all my focus and energy will go into becoming someone else, that everything I do will be toward that goal and that it will all be immortalized on film----well, it really gets the adrenalin going. The downside is that it is over all too soon and that the moment I'm finished, I'm searching for another job!   

David: In closing, let me say how pleased I was to see you in the movie version of LIS a few years ago, and I wondered if there were any plans afoot that you know of to remake the series at some future date? I know that your thousands of fans would never accept a new series as being the equal of the original, but if it meant getting some of the original cast members back on screen, then it would certainly be a worthwhile venture.  

Marta:  There were plans for a remake of LIS, which was to have had the original cast members along with a whole new group of characters.  Since Jonathan's passing, that of course has been changed.  It would be my hope, however, that in Jonathan's memory, we could do some kind of cast reunion.  I am not sure how it would work without our friend, but I think Jonathan would have felt honoured to have it dedicated to him.

I have had, through LIS, an incredible opportunity to find my birth family.  My Australian brother, Seppo, feels like my twin separated at birth!  One of the many things we share is our love of Australia and its people.  So, I send my fondest greetings and love to all of you. Peace to you from your friend, Marta!        

Be sure to check out Marta’s great website:  

And I thank her great webmaster, Dave Goudsward for much of the information contained in my introduction. If you would like to add some great signed photos of Marta to your collection then please email either Dave or get in touch with me at  

Or get out to one of Marta’s great conventions across the USA.

And tell Marta that davidownunda sent you.

Article copyright David Priol 2003
First published in The Pen & Quill Nov-Dec 2003
Photos copyrighted to their various owners.

email me
Marta Kristen Photo Gallery
Marta Kristen at the IMDb

Lost in Space Forever (1998) (TV) .... Judy Robinson
Lost in Space (1998) .... Reporter #1
Below Utopia (1997) .... Marilyn Beckett
Harvest of Fire (1996) (TV) .... Martha Troyer
Panic in the Park (1995) (VG) .... Annabelle Lee
"Murphy Brown" .... Norwegian Mother (1 episode, 1994)
    - Fjord Eyes Only (1994) TV Episode .... Norwegian Mother
Strange Voices (1987) (TV) .... Mona
"Scarecrow and Mrs. King" .... Lena Spickens (1 episode, 1987)
    - Rumors of My Death (1987) TV Episode .... Lena Spickens
"Wildside" .... Ellen Jonsen (1 episode, 1985)
    - The Crimea of the Century (1985) TV Episode .... Ellen Jonsen
"Trapper John, M.D." (1 episode, 1985)
    - In the Eyes of the Beholder (1985) TV Episode 
"Fame" .... Dede Callahan (1 episode, 1985)
    - Danny De Bergerac (1985) TV Episode .... Dede Callahan
"Remington Steele" .... Blonde (1 episode, 1982)
Battle Beyond the Stars (1980) .... Lux
"Project U.F.O." .... Anita (1 episode, 1978)
    - Sighting 4011: The Dollhouse Incident (1978) TV Episode .... Anita
Gemini Affair (1975) .... Julie
Once (1974) .... Humanity
Terminal Island (1973) .... Lee Phillips
"Mannix" .... Aileen (1 episode, 1972)
The Mephisto Waltz (1971) (uncredited) .... Party Guest
"Insight" (1 episode, 1969)
    - Is the 11:59 Late This Year? (1969) TV Episode 
"Lost in Space" .... Judy Robinson (83 episodes, 1965-1968)
Beach Blanket Bingo (1965) .... Lorelei
"Wagon Train" .... Wanda Snow (1 episode, 1965)
    - The Wanda Snow Story (1965) TV Episode .... Wanda Snow
"The Man from U.N.C.L.E." .... Felicia Lavimore (1 episode, 1964)
"My Three Sons" .... Linda Francis / ... (3 episodes, 1960-1964)
    - A Serious Girl (1964) TV Episode .... Lorraine Pendleton
    - Going Steady (1962) TV Episode .... Linda Francis
    - Spring Will Be a Little Late (1960) TV Episode .... Peggy Meredith
"Mr. Novak" .... Gail Andrews (1 episode, 1964)
    - The Senior Prom (1964) TV Episode .... Gail Andrews
"The Greatest Show on Earth" .... Billie Jo (1 episode, 1964)
    - Clancy (1964) TV Episode .... Billie Jo
"The Eleventh Hour" .... Darleen Landon (1 episode, 1963)
    - Four Feet in the Morning (1963) TV Episode .... Darleen Landon
"Dr. Kildare" .... Darleen Landon (1 episode, 1963)
    - Four Feet in the Morning (1963) TV Episode .... Darleen Landon
Savage Sam (1963) .... Lisbeth Searcy
"The Dick Powell Show" .... Joan Kent (1 episode, 1963)
... aka The Dick Powell Theatre (USA: new title) 
    - The Third Side of the Coin (1963) TV Episode .... Joan Kent
"Alfred Hitchcock Presents" .... Jiffy Snack Girl / ... (2 episodes, 1961)
    - Bang! You're Dead (1961) TV Episode .... Jiffy Snack Girl
    - The Gloating Place (1961) TV Episode .... Marjorie Stone
"Leave It to Beaver" .... Christine Staples (1 episode, 1961)
    - Wally and Dudley (1961) TV Episode .... Christine Staples
"Letter to Loretta" .... Bonnie (1 episode, 1960)
... aka The Loretta Young Show (USA: new title) 
    - The Glass Cage (1960) TV Episode .... Bonnie


She occasionally does nostalgia shows with Angela Cartwright.

Was considered for the lead role in "Lolita" which eventually went to Sue Lyon.

Her original American name was Martha, but upon embarking on an acting career, she changed it to the more European sounding Marta.

Her measurements at the age of 18 were given as 32-22-34 in 1963's "Movie Life Yearbook."

(Information Courtesy of IMDb)